Austin OK, it's actually the night of Day Four. We pick up with me making a decision. Either go see "Frontrunners" or go to a party with my brother-in-law. I chose the party. Some people were dressed up in costumes (though I was unsure why), I had a couple PBR's and met a Chicago film producer. Then we headed back to his car... My life was stolen. That's an exaggeration. Everything that was important to me was stolen. His car was broken in to. Computer,iPod , notes, voice recorder (with my interviews), keys and additional items only I would find important such as the key chain I received went I went to nationals in '98 for Ultimate Frisbee. All gone.

Three days earlier I had told someone I don't get surprised, that

Austin It was a big day. One interview and four films scheduled. It all began with the documentary "Crawford." It was all about the city that George W. Bush made famous by moving there before his run for presidency. The film is definitely slanted a little to the left and the political conversation has been done before, but it does a good job of capturing the people of the small town and the time when Cindy Sheehan decided to set up her protest. Next I grabbed a bite at Joe's to enjoy the greatest tuna melt sandwich of all time, then I sprinted over to the Four Season's to interview Seann William Scott.

Ouch. Scott didn't show, it's all part of the business and I quickly shrugged it off and prepared to

Austin I have been excited about day light savings time for a while. In fact, I think it's George W. Bush's second best move as president. Here's my entire list of great things Bush has accomplished. 1. Gave more money toBono than any other president for AIDS in Africa. 2. Shorten day light savings time. That's it. That's the list.

Well, SXSW has a way of making someone forget about the rest of the world. I woke up at 9:15 a.m. which quickly became 10:15 a.m. once it dawned on me, and luckily I was able to make it to my 11 a.m. screening of "Some Assembly Required."

It's a documentary about middle school kids creating and designing a toy for a national competition. About 20 kids and teachers were in the audience

Austin I know you think Chicago does Mexican food well, but you're wrong. El Chilito is the perfect example of why. A small place just outside of the city and it has the best breakfast tacos and pork tacos I've ever had. Breakfast tacos are a standard out here, not a rarity. So the day started with El Chilito, and then I was off to interview Doug Benson, the pot-smoking star of "Super High Me."

Just like pot, and just like the movie, he was nice, relaxing, but really nothing was accomplished. Good times. He asked where I was from, and when I told him Chicago he said, "I'll be there performing April 4 and 5." And while I responded with a sorry, that I would be out of town (taking down

Day One - SXSW (film festival in Austin, TX) I am popping my film festival cherry. I've been reviewing films for a couple years now and getting paid to attend a fest was a goal of mine. Plus, Texas in March, avoiding the hellacious Chicago winter... what could be better?

I arrived to 38 degree temperatures, rain, and an insane wind. It felt better in Chicago. Everyone I have met up with so far has said, "Thanks for bringing the weather with you." It's like there was a memo sent out, and that's the joke they all decided to go with.

Luckily Friday, with the start of the film festival came 60 degree temperatures. I was a beaver that was eager so I was one of the first in line to register. After

Inspired by the true story of a 1971 London bank heist that goes terribly wrong, “The Bank Job” has it all: corruption, sex scandals, political intrigue, murder. Despite all of those wonderfully evil things, the film never takes off.

Jason Statham stars as Terry, a car dealer barely making ends meet. Martine (Saffron Burrows), a friend from the old neighborhood, brings Terry a foolproof plan to rob a bank. Terry is torn because he has a family, but the need to provide a better life leads him to get the old gang back together and pull off this “sure-fire” heist.

But as we all know, no bank heist is easy. Martine has some secrets up her sleeve, plus the royal family — and every criminal and politician in London, or so it seems — has something valuable within the targeted vault.

The problem with “The Bank Job” is that it’s not really about the bank job. As it turns out, the actual robbery is easy — it’s what comes after that’s intriguing. But the film takes way too long to get to the dirty, intense aftermath.

Disheveled and worn down, Miss Pettigrew (Frances McDormand) goes from bad to worse. Before the opening credits of “Miss Pettigrew Lives for a Day” are finished, she gets fired from her job as a nanny, loses all of her possessions and can’t find a bite to eat.

Set in 1939 London, just as World War II is about to break out, Miss Pettigrew must try and make a go of it. What follows is an infectious comedy that becomes a wonderful drama.

Miss Pettigrew steals an employment assignment from her old boss and ends up at a penthouse attempting to become the “social secretary” for actress/singer Delysia Lafosse (Amy Adams).

Immediately, we are bounced from one social gathering or high-society problem to another, mainly circling around Delysia’s multiple men.

First we meet Phil (Tom Payne), whom Delysia is trying to seduce in order to secure the lead in a play. Then there’s Nick (Mark Strong), the intimidating nightclub owner Delysia lives with and sings for. Lastly, we encounter sweet Michael (Lee Pace from “Pushing Daisies”), her devoted pianist.

Narrative Review In the first few minutes of the film, I want to pull Charlie aside and have a heart to heart. I want to explain to him he doesn't have to try so hard, and being popular really shouldn't be that important. But then we wouldn't have a movie now would we? "Charlie Bartlett" is an earnest attempt to tackle the glaring problem of over-medicating today's kids. Unfortunately, a genuine debate is never created, and our lead character isn't really that charming. Charlie (Anton Yelchin) is an optimist who dreams of being the popular kid. After getting kicked out of every prep school imaginable, he moves back home with his drunk mother (Hope Davis) and attends Western Summit High School, a public school run by a principal (Robert

And here is the list of winners…(on a scale of 1 to 10) Funniest - Juno 7.80 Scariest - No Country for Old Men 8 Saddest - Away From Her 7.78 Best Blockbuster - The Bourne Ultimatum 8.2 Best Music - Once 8.87 Most Disappointing - Spider-Man 3 6.2 Best Action Hero/Villian/Superhuman - Anton Chigurh - No Country for Old Men 9.31 Best Ending - Michael Clayton 8.13 Best Documentary - No End in Sight 7.8 Best Animated - Persepolis 8.71 Best Visuals: Special Effects - 300 8.36 Best Visuals: Non-Special Effects - There Will Be Blood 8.84 Best Screenplay: Adapted - No Country for Old Men 8.73 Best Screenplay: Original - Juno 8.72 Best Supporting Actress - Cate Blanchett - I’m Not There 8.69 Best Supporting Actor - Javier Bardem (-) No Country for Old Men 9.39 Best Actress - Marion Cotillard (-) La Vie en Rose 9 Best Actor - Daniel Day-Lewis (-) There Will Be Blood 9.27 Best Acting - Entire Cast - No Country for Old Men 9.14 Best Film of 2007 - No Country for Old Men 9

Best Cameo - (Tie) Keith Richards - Pirates of the Caribbean: At World’s End & Ryan Seacrest - Knocked Up

Quote of the Year - What’s the most you ever lost on a coin toss? - Javier Bardem - No Country for Old Men

Narrative ReviewThe romantic comedy is a difficult beast to tame. Love Actually made it look easy; other films, such as 27 Dresses seem to run out of material too quickly. Definitely, Maybe takes a crack at getting some laughs, some tears and a little romance -- and it works. Definitely. Will (Ryan Reynolds) attempts to explain his past relationships and impending divorce to his 11-year-old daughter, Maya (Abigail Breslin), with a twist -- he changes the names of his romantic partners and won't tell her which woman is her mother.

This sounds like a knock-off of the TV show "How I Met Your Mother," but quality performances across the board make this

Narrative ReviewWhen you hear the name Vince Vaughn, you expect laughter. That seems to be the rule now. Sure, for a while he attempted drama with a "Psycho" remake, "Clay Pigeons" and "Return to Paradise," but the public spoke with their wallets. None of those films made much money, and Vaughn returned to comedy with huge hits such as "Wedding Crashers." So who better than Vaughn to lead us through 30 cities in 30 days with four stand-up comedians? "Vince Vaughn's Wild West Comedy Show: 30 Days and 30 Nights, Hollywood to the Heartland" is supposed to be a raucous ride of laughter, but it's thin on one important aspect: the jokes. Vaughn is joined by four stand-up comedians (Ahmed Ahmed, John Caparulo, Bret Ernst and Sebastian Maniscalco)

John Lehr would like to thank you and make sure you come again. The creator and star of “10 Items or Less,” the TBS sitcom about a local grocery store, is beginning the second season of the show. The comedy is almost all improv with no character dialogue written beforehand. Lehr has a history of TV -- and film and stage, for that matter -- and spent time in Chicago, attending Northwestern and performing improv. His wife, author Jennifer Lehr of “Ill-equipped for a Life of Sex: A Memoir,” is pregnant with their second child, and though he loves parenthood, Lehr vows his resolution this year “is to not have any more children. I’m getting it cut. Whatever it takes, I’m done.”

Plot: When Bridget (Diane Keaton) learns her husband (Ted Danson) is on the verge of losing their lifestyle, she slowly plots a scheme to get some extra cash. At her new job Bridget enlists the help of Nina (Queen Latifah) and Jackie (Katie Holmes) to rob the Federal Reserve Bank. Who’s it for: You really need to be a big fan of Keaton or Latifah to look past the flaws of this lackluster caper.

Expectations: Well, January films have a history of being disappointing, almost like studios are just trying to get rid of them. Plus, Keaton has lost that spark since 2003’s “Something’s Gotta Give.”

SCORECARD Actors: Diane Keaton as Bridget: Bridget states crime is contagious, and normally movies have a way to

Plot: Jane (Katherine Heigel) has been a bridesmaid 27 different times. She always gives to others, never taking time for herself. When her sister gets engaged to her boss and secret crush (Ed Burns), helping with this wedding could prove too much. Especially when a journalist (James Marsden) starts to question her life. Who’s it for: Women who are in need of a girls’ night out. If you love the idea of bumping your head and waking up to your dream man, then this is your movie.

Expectations: I am rarely satisfied with romantic comedies. I always look forward to them, but they seem to rarely capture any hint of authentic humor or romance. Heigel is hot from “Knocked Up” and “Grey’s Anatomy”

Plot: Two brothers (Ewan McGregor and Colin Farrell) have financial problems in England. When their rich uncle (Tom Wilkinson) makes a rare appearance, both of them want favors, but he has a request of his own that throws the brothers into a world of chaos. Who’s it for: This is a lighter version of “Match Point,” but still in the same ballpark. If you are looking for Woody Allen or for someone to act like him, you aren’t going to get it here.

Expectations: All I knew was Woody Allen, Ewan McGregor and Colin Farrell. This was enough for me as two of the three have been consistently good throughout the years. No Mr. Farrell, I wasn’t referring to you.

SCORECARD Actors: Ewan McGregor

Plot: A monster attacks New York and some twentysomethings capture it all on their camcorder as they try to regroup and escape from the city before it is destroyed. Who’s it for: This film is for the younger crowd. Also, you probably need to pop a couple of Excedrin before you see this shaky film. There are light humor and scares throughout.

Expectations: I had seen only one teaser beforehand, and with J.J. Abrams’ name attached that was enough for me. Besides “Lost” and “Alias,” I even watched his first show, “Felicity.”

SCORECARD Actors: Michael-Stahl David as Rob: A party is being thrown in Rob’s honor because he is moving to Japan (a nod to “Godzilla,” I assume). He is supposed to be

Plot: Based on Upton Sinclair’s novel, Daniel Plainview (Daniel Day-Lewis) is an oil prospector with a competitive appetite. He takes in an orphan and attempts to take control of a small community called Little Boston that is sitting on a pile of oil. Who’s it for: If you’ve been waiting for the typical Paul Thomas Anderson, you need to keep waiting. This isn’t it. Also, it’s about two and a half hours, so get comfortable.

Expectations: Director Anderson is behind “Hard Eight,” “Boogie Nights” and my favorite of his, “Magnolia.” With films like this it’s hard not to get excited beforehand, especially when Daniel Day-Lewis joins.

SCORECARD Actors: Daniel Day-Lewis as Daniel Plainview: Daniel is a man of few words, but when he speaks the

Plot: Laura (Belen Rueda) returns to the home that used to serve as an orphanage. She now wants to raise her son Simon and other children in need. Simon begins to create six imaginary friends and play games that begin to remind Laura of her past and perhaps a horrific mystery. Who’s it for: This is a must for horror fans. I really hope teenagers who go see the “Saw” films will pay attention to “The Orphanage” just to see the difference in quality.

Expectations: A couple of fellow critics insisted I needed to see the film. I haven’t liked a horror film for a long time because of the slasher porn trend. That and I scare easily.

SCORECARD Actors: Belen Rueda as Laura:

Plot: This is the true story of controversial professor Melvin Tolson (Denzel Washington) and his attempt to take the newly formed African-American Wiley College Texas debate team to elite status. Through their struggles, they are invited to battle the national champions, Harvard. Who’s it for: Anyone needing or wanting further education on what life was life, especially in the South, during the 1930s. Plus, when Washington joins with Forest Whitaker in a film, it’s bound to draw an audience.

Expectations: Washington can act, and he’s directing his second film here (his first being 2002’s “Antoine Fisher”). Plus, I was very curious to see how debate was structured in the 1930s.

SCORECARD Actors: Denzel Washington as Melvin Tolson: For Washington, this is a controlled performance, much more

Plot: A young widow (Hilary Swank) loses that one in a million love, but her dead husband (Gerard Butler) has left numerous letters behind to help her get on with her life. Who’s it for: Women. But this treads some tricky ground. If you’ve recently lost someone, this film isn’t really about recovering, but more about not letting go.

Expectations: Hilary Swank has proved herself as a powerful actress, but a romantic comedy … actually, I don’t know if this is just a drama or can be considered a comedy. Anyway, I had my worries.

SCORECARD Actors: Hilary Swank as Holly: Swank’s job isn’t so much as to pull on our heartstrings, but instead to slowly pluck them, never letting us forget she’s mourning. Holly doesn’t