This is Jeff Bayer, and I don't update this site very often. If you'd like to listen to my current movie podcast you can find it at MovieBS.com.

Kids for Cash

KidsForCash-Poster-207x300Kids for Cash Directed by: Robert May Documentary Running Time: 1 hr 42 mins Rating: PG-13 Release Date: February 28, 2014 (Chicago)

PLOT: A documentary about a Pennsylvanian judge who ruled juvenile court cases with zero tolerance, sentencing children to jail for minor mishaps. When people begin questioning his ruthlessness, a larger scandal is uncovered.

WHO'S IT FOR? Those curious about a compelling documentary that makes a distinct effort to not take a side.


The funny thing about documentaries is that any goal of truly replicating reality, or the truth, is impossible. Unless a documentary film were to convey an experience with 360 degrees and 24/7 coverage (AKA life), it will always be a subjective endeavor. Documentary storytellers are always creating a point of view, simply by choosing where to point a camera, and where to cut a sequence.

While Kids for Cash does not achieve such a breakthrough in that respect, it is a rare documentary that nudges viewers closer to having an impression of a situation's both sides. With an elaborate story, (one that is literally charted out by one of its subjects), it does show a big picture, with two distinct halves. Keeping to the complications within its center story, Kids for Cash does give its villain, one with surprising complications, a distinct amount of screen time.

Kids for Cash begins with painting a disturbing image of different fates handed down to children by a ruthless zero tolerance system by a local judge, Mark Ciavarella. We meet various kids who have been under his wrath, and hear the stories of their harmless illegal crimes and subsequent ridiculous jail sentences. One kid is locked up for making a MySpace page for her professor. When she recollects the event, she says, "I'm now one of those people in the movies!" (she is credited as "MySpace Page Incident"). A local journalist tells her involvement with the story, which involves collecting a large group of similar grievances from parents, to understand the big picture.

And then, Ciavarella's voice is upgraded from a brief ominous voiceover in the beginning to a full-on character in the story. His involvement makes the tale even more complicated, the POV of headlines from earlier less trustworthy. Even with the aforementioned reporter, it turns out that she was actually speaking more to his defense the entire time.

Kids for Cash provides a significant amount of time for its juvenile arrestees. But as for emotional soap-boxing, Ciavarella gets the same. In a striking moment, through some tears he too gets to share a home video of more innocent days; like the parents of the children he put in jail, he has his own scenes of grave emotional conflict, while still trying to support what he thinks was right.

With Ciavarella's involvement, the plot literally thickens, it expands, it gets some real substance. The film's debates continue throughout, of which Kids for Cash does a decent job of trying not to pick an answer, though it does have an immediate sympathy for its youth. Are the parents not accurately disciplining their kids, or is Ciavarella wrapped up in an outdated form of parenting? Was "Kids for Cash" a snappy concept that got away from the real issues, those of which Ciavarella was trying to address? Throughout this, Ciavarella gives an incredible performance, however honest his words may be.

With newspaper headlines used as punctuating dramatic moments, Kids for Cash withholds from becoming a media frenzy, or a "60 Minutes" episode, despite the different weight at hand. It is, however, a movie of very specific storytelling choices, considering how it reveals the life tales of previously incarcerated teens.

One moment in particular involves a mother shouting at Ciavarella, in a shocking instance that binds both sides of the film together into very tragic moment. What she shouts at Ciavarella is very disheartening, and through her volcanic display of internalized outrage, clues us into what happened with her son. Earlier, the film had made it sound one way; but we know now with this scene as to what direction we were being specifically being led in its story. It's as specific and questionable as a choice as when the closing credits brandish that angelic cover of "Creep" from that famous The Social Network teaser, accompanied by an onslaught of bummer percentages.

As a documentary and narrative experience, Kids for Cash is worth a curious look. Its outrage spread across a far more complicated plane, it is rare to see a documentary that makes a case for its villain as much as its victims.


Movie B.S. with Bayer and Snider, Episode 200: ‘Non-Stop,’ movies for aliens, and more