Darren Aronofsky reminds me of Egon from The Ghostbusters. This is not a slight. He’s an engaging man whose lack of pretension is as much of a relief as it is an underrated character trait—especially for a critically acclaimed director of his stature. Throughout our roundtable interview the Brooklyn native poked fun at us for never seeing Angel Heart [Mickey Rourke’s supposed 1980s masterpiece], apologized for a nagging sneeze-attack, and sized up our knowledge of the Hip Hop culture his hometown is famous for.
For a guy who has just made what’s certain to be an Oscar-contending Indie-juggernaut, Aronofsky didn’t seem like an elitist having made Requiem for a Dream, π, or The Fountain. In reality, he seemed to have much in common with the character Harold Ramis craftily displayed on